Free-associating between U2's ferocious legal response and the Gary Webb spy plane incident that inspired Negativland's guerilla warfare, I started wondering if this would be the fate of artists making (or choosing not to make) political art interventions. As the world continues to slide towards national security panic, people who do not engage with these issues risk becoming irrelevant to vital cultural dialogue. Recent Biennials seemed to operate in magnificent isolation, oblivious to a world split asunder by violence. Now that there is blood in the water and it is safe (and fashionable) to attack the American Imperial project, they have belatedly started programming political work. Will this be a temporary dip, before the art world resumes regular programming, isolated in splendid art fair echo chambers? We hope rather that it will become a robust trajectory, fostering artists and art institutions active role in deciding political futures.